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Re-enactment of The Second ArtLeaks Working Assembly in Moscow | May 24, 6:00-9:00 PM (GMT +3)

May 24, 2020

Reenactment of The Second ArtLeaks Working Assembly in Moscow from Vladan Jeremic & Rena Rädle on Vimeo.

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Re-enactment of The Second ArtLeaks Working Assembly in Moscow
Sunday, May 24th at 6 PM – 9 PM, Moscow time

Eight years ago International representatives of the platforms ArtLeaks and The May Congress of Creative Workers met in Moscow for the Second ArtLeaks Assembly on July 15th, 2012 at 7 PM at Shkola, Park Isskustv “Muzeon.”

See the public announcement of the call from 2012 here:
https://art-leaks.org/2012/07/07/second-artleaks-working-assembly/

They have discussed the topic “What art system do we need?” and today we invite you to join the reenactment of this Assembly which tries to discuss the pressing issue under the same title. ArtLeaks and many other similar groups or organizations emerged after the world financial crisis of 2008 and mostly against cuts and austerity measures that were implemented everywhere. Now, we are in the middle of the pandemic crisis that is bringing new austerities and negative processes. This crisis seems much more complex and harder than one in 2008, the questions and answers here must be much more prompt and different from those anti-austerity and Occupy movements had in the 2010s.

Facilitators: Corina Lucia Apostol, Vladan Jeremic, David Riff, Nikolay Oleynikov and Dmitry Vilensky

The meeting will take place online at:

https://us02web.zoom.us/j/83917254888?pwd=U1V1MEU2NzErSlpHeEpGWXVDWEI1UT09

Corina Apostol is a curator and writer living and working in Tallinn. She is currently a curator at Tallinn Art Hall. She is the co-founder of ArtLeaks and editor of the ArtLeaks Gazette.

Vladan Jeremic is an artist and worker in the field of political education. He is co-founder of the ArtLeaks (2011) and editor of the ArtLeaks Gazette (2013-2019).

David Riff is an artist, writer, and curator living in Berlin. He is currently Senior Curator of Steirischer Herbst festival.

Nikolay Oleynikov artist; punk; antifascist; member of Сhto Delat; Arkady Kots band, among others. Co-organizer of the May Congress of creative workers (2010-2012); co-pilot at Free Home University.

Dmitry Vilensky is an artist and educator. He works mostly in collective practices and focus on developing architecture constructions, educational seminars and learning plays, graphic works, and films. Не is the founding member of Chto Delat (www.chtodelat.org).

The assembly will take place in the framework of the series of nomadic discussions “Unification of the multitudes” (Объединение множеств) on labor and the possibility of uniting independent cultural workers to protect their rights, mutual support and pirate care initiated in Russia by informal group Union.

unnamed

Poster by Nikolay Oleynikov

 

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Ассамблея пройдет на анг. языке. Текст анонса по русски см. внизу.

https://us02web.zoom.us/j/83917254888?pwd=U1V1MEU2NzErSlpHeEpGWXVDWEI1UT09

Серия кочующих дискуссий “Объединение множеств ” о труде и возможности объединения независимых культурных работников и работниц для защиты своих прав инициирована рабочей группой ЮНИОN

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8 лет назад международные представители платформ ArtLeaks и Майского конгресса творческих работников встретились в Москве для проведения второй Ассамблеи ArtLeaks 15 июля 2012 года в 19:00 в парке Исскуств «Музеон».

Публичное объявление о событии 2012 года см. здесь
https://art-leaks.org/2012/07/07/second-artleaks-working-assembly/

Для ассамблеи была предложена тема «Какая система искусства нам нужна?» и сегодня мы приглашаем вас присоединиться к реэнакменту этой Ассамблеи, которая пытается обсудить тему под этим же названием. ArtLeaks как и многие другие подобные группы или организации возникли после мирового финансового кризиса 2008 года и в основном против сокращений и мер жесткой экономии, которые применялись повсеместно. Сейчас мы находимся в ситуации пандемического кризиса, который запускает новые еще более жесткие меры сокращений в культуре и другие негативные процессы. Этот кризис оказывается гораздо более сложным и тяжелым, чем кризис 2008 года, и наши ответы на вопросы должны стать точными и действенными, явно отличаясь от тех движений против жесткой экономии, которые были востребованы в 2010-х годах.

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