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Persecution of Pussy Riot is Illegal
On 21 February 2012, four members of the all-female punk rock band, Pussy Riot, entered the Christ the Saviour Cathedral in Moscow, wearing brightly coloured outfits and balaclavas masking their faces. For a few minutes they danced in front of the altar, singing their “punk prayer” before being removed from the building.
Maria Alyokhina, Nadezhda Tolokonnikova and Ekaterina Samusevich were arrested some days later and charged with “hooliganism” under Article 213 of the Russian Criminal Code, which carries a maximum seven-year gaol term. While the three women are part of the band, they say that they were not among the performers at the Cathedral. On 19 April, Tagansky Court in Moscow extended their detention to 24 June saying that more time was needed to find further witnesses and participants at the event. The demonstrations outside the court and statements from the three women were widely covered in the press.
According to reports and videos of the event, there was no damage to the premises, or violence. It is clear that the women are being treated particularly harshly because of the lyrics of the song they performed. Entitled Holy Sh*t, it lashes out at Putin and the Russian Orthodox Church, the it includes the lines “Holy Mother, Blessed Virgin, chase Putin out!” Amnesty International, which considers the women as prisoners of conscience, states: Even if the three arrested women did take part in the protest, the severity of the response of the Russian authorities – the detention on the serious criminal charge of hooliganism – would not be a justifiable response to the peaceful – if, to many, offensive – expression of their political beliefs. Read the AI statement in full.
The band had already become famous for other actions. It was formed in late 2011 by a group of feminists to protest Putin’s decision to return as President. Over the following months, they staged sudden unannounced “flash” performances in public places, including on public transport. They came to international attention in January 2012, when they held a brief performance, shouting out lyrics “Revolt in Russia – the charisma of protest! Revolt in Russia, Putin’s got scared! outside the Kremlin. Then they were briefly arrested and fined. For more detail of the arrest and the band see Freemuse, the organisation that works against music censorship:
Support in Russia is high with even mainstream pop artists calling for their release, among them the iconic singer Alla Pugachyova, who has held pop star status through the Soviet era to the present day. She described the arrests as “shooting sparrows with a cannon”. There have been numerous protests in support of the band. Most recently around 100 people demonstrated outside the court on 19 April, with about 20 arrested. Patriarch Kirill I of Moscow and All Russia strongly accused the band as “defiling” the church and called for harsh penalties, while other Orthodox believers have expressed disquiet at this hardline stance and have asked that the women be shown leniency.
Meanwhile the three women face the prospect of another 6 weeks in prison, two of them are separated from their children. At the 19 April hearing, Tolonnikova spoke of the distress that her four year old daughter is suffering because of the imprisonment of her mother. Read more about the Pussy Riot support and activities in their support follow the Free Pussy Riot website http://freepussyriot.org
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via The Other Russia
A group of independent experts has concluded that the political persecution of members of the Russian punk group Pussy Riot is illegal, Kasparov.ru reports.
A report written by Yury Kostanov of the Independent Judicial Expertise Council was released by the Presidential Council on the Development of Civil Society and Human Rights.“The actions that Tolokonnikova, Samutsevich and Alekhina are incriminated of are certainly at least reproachable, but they do not constitute criminally prosecutable hooliganism,” says the report.
The conclusion was reached after the experts analyzed the decree written by investigators announcing that the women were being charged and the lyrics to the song they performed in the Church of Christ the Savior – the event that sparked the investigation. “After accusing Tolokonnikova, Samutsevich, and Alekhina of collectively committing the actions they are incriminated of by motivation of religious hatred and enmity, the investigator did not conclude that there were any grounds for this,” the report goes on to say.
“Judging by the lyrics of the song performed, the enmity expressed towards V. V. Putin and V. M. Gundyaev is not religious in nature. Religious hatred in the sense of article 213 of the Criminal Code of the Russian Federation means hatred towards members of a certain religion precisely because of their religious leanings, an active rejection of religious ideals or an assertion of their own religion, or because of atheistic views. Presenting one’s views in a shocking way does not in and of itself constitute a manifestation of hatred towards the Christian (or any other) religion,” Kostanov wrote.
“The decree likely contains the investigator’s expression of judgment of the offense rather than a description of a way of committing a crime,” it concludes.
Last week Moscow’s Tagansky Court extended the pre-trial detention of the three alleged members of Pussy Riot, who have already been held since March 2012. The three face up to seven years in prison for charges of “hooliganism.” Protests outside the court on last week ended numerous arrests.
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via The Moscow News
On June 25, Russian Orthodox church spokesman Vsevolod Chaplin declared God told him in a divine revelation that he condemns members of female punk band Pussy Riot for their scandalous performance in Christ the Savior Cathedral.
“I am convinced that God condemns what they’ve done. I’m convinced that this sin will be punished in this life and the next,” the priest told reporters during a round table organized by The New Times magazine. Chaplin added that “God revealed this to me just like he revealed the Gospels to the church.”
In a possible nod to the ongoing court case against three suspected band members accused of hooliganism, Chaplin said, “There’s only one way out: repentance.” The band’s performance of “Mother of God, Cast Putin Out!” on Feb. 21 has polarized liberal and conservative opinion in the country.
Since their detention, the jailed band members have become known worldwide, with Amnesty International declaring them prisoners of conscience and calling for their release.
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via Global Post
More than 100 of Russia’s best-known cultural icons have signed a petition asking authorities to release three members of the all-female ‘Pussy Riot’ punk band from jail.
Nadezhda Tolokonnikova, Yekaterina Samutsevich and Maria Alekhina have been held in pre-trial detention since March over their performance of an anti-government song in a Moscow church, AFP explains.
Radio Free Europe reports that among the petition’s signatories are well-known opponents of President Vladimir Putin, such as author Boris Akunin, poet Dmitry Bykov, and the rock singer Yury Shevchuk. However, it also includes actors Chulpan Khamatova and Yevgeny Mironov who appeared in videos urging Russians to vote for Putin in the March elections.
A copy of the letter which stated: “We do not believe that the actions of Pussy Riot constitute a criminal offense,” was published in the Russian-language Moskovsky Komsomolets newspaper, says the Moscow Times. It continued: “The girls did not kill anyone, they did not rob, did not commit violence, did not destroy or steal anyone’s property . . . We see no legal basis or practical reason for the further isolation of these young women, who do not pose any real danger from society.” Several signatories have filed the petition with the Supreme Court and with the Moscow City Court,according to the Russian Legal Information Agency, RAPSI.
“This is probably the last chance for the authorities to preserve face and to exit this story that has become a symbol for the obscure, senseless and lawless cruelty,” the Russian news blog Gazeta wrote in an editorial.
Please sign this on-line petition demanding that the three women in the Pussy Riot case be immediately released : http://www.change.org/petitions/president-vladimir-putin-free-pussy-riot#
Apocalypse, not likely: Oleg Kulik’s Parallel Project to Kyiv’s Arsenale Shut Down for “Pornography”
Kyiv’s Arsenale 2012 may have gotten off to a rocky start, but at least it’s still open.
Yesterday, the Ukrainian Kommersant reported that the exhibition “Apocalypse and Rebirth in the Chocolate House” has been closed for pornographic content. Organized by the Mironova Gallery, the exhibition was supposed to run in the Kyiv State Museum for Russian Art, from May 15 – July 27, 2012, as a parallel project to David Elliot’s “Rebirth and Apocalypse” project in the Arsenale. Curated by Oleg Kulik, Anastasia Shablokhova and Konstantin Doroshenko, the exhibition boasted an impressive 43-artist roster, from Documenta 12 veterans Dmitry Gutov, Andrei Monastyrski and Anatoly Osmolovsky to perpetual up-and-comers Andrey Kuzkin, Recycle, Maksim Svishev, Zhanna Kadyrova and Valery Chtak.
The exhibition was cited for “pornography.” The Kommersant has suggested two works that may have garnered that charge. The first is Andrey Kuzkin’s “Natural Phenomena,” in which a naked male figure is planted like a tree in the outside courtyard. The second is more political porno: Lucine Djanyan and Aleksey Knedlyakovsky’s “White Ring,” a collection of mini-protestors standing in a scaled model of Moscow’s city streets.
This is not the first incident of censorship in Kyiv, which recently struggled with the closure of another exhibition, “The Ukrainian Body.” It’s perhaps curious, then, that Elliot’s project hasn’t attracted this kind of attention as one of his four themes is “flesh”, which “takes the human body, its appetites, desires and limitations as its central theme.” Kommersant seems to agree, ending on a quote from critic Maria Kruschek: “A naked body does not count as pornography; otherwise, you would have to put boxers on Michelangelo’s David. What counts as pornography is when the Committee for Social Morality closes down an exhibition of contemporary art in Ukraine, in 2012.”
For more information got to: http://kommersant.ua/doc/1955937 (in Russian)
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via Art Chronika
Even before the opening of the exhibition the Director Yuri Vakulenko ordered, without consulting with any of the artists or curators, that 16 figures carrying anti-Putin slogans be removed from the installation “White Ring,” which featured 500 figures of protesters in total. As the artist Lusine Djanyan wrote on her blog, after apologizing and reassuring her personally, the director demanded the entire installation to be dismantled.
On June 8th, the opening day of the European football championship, the curator of the exhibition Konstantin Doroshenko related that ” because certain artworks are judged to contain elements of pornography, the exhibition will remain closed until June 15th by order of the National Expert Commission for the Protection of Public Morality (NEC).” Doroshenko declared that prior to this decision, the following artoworks had already been censored: Andrey Kuzkin, “Natural Phenomena,” the cartoons of Masha Sha and the audio installation of Dmitry Gutov – which included protesters’ cries of “Putin- Thief!” and “Down with Mustafa!” It is unclear how an audio-documentary of street protests around the world can ever be considered pornography.
For more information go to: http://artchronika.ru/vystavki/kiev-apocalypse/ (in Russian)
We would like to bring your attention to our more focused second meeting in Berlin which will follow up the ArtLeaks’ 1st Working Assembly, around the issues that are at the core of the group’s mission, namely exposing instances of abuse, corruption and exploitation in the art world – to be held at Flutgraben on June 3rd from 19:00 (http://www.facebook.com/events/176353445826756/).
Then on Monday, June 4th, 8pm at West Germany in collaboration with Interflugs, ArtLeaks will co-host a workshop in which we would like to focus on specific cases submitted to our platform, and what we may learn from these instances of abuse and exploitation to create an international front of solidarity to struggle for cultural workers’ rights. How can we then challenge ourselves to re-imagine fairer relationships to institutions, organizations, networks and economies involved in the production and consumption of art and culture? In addressing these concerns as a group, we will develop themes that will form the bases of ArtLeaks’ upcoming publication, a journal which will be entirely dedicated to censorship, cultural workers’ rights and formulating strategies and goals of organizing cultural workers.
ArtLeaks members: Corina Apostol, Vlad Morariu, David Riff, Dmitry Vilensky, Raluca Voinea will facilitate the workshop in collaboration with Interflugs and friends. Special thanks to West Germany.
Date and time: Monday, June 4th, 8pm
Place: West Germany, Skalitzer Str. 133, S-Kottbusser Tor, Berlin
The workshop will be held in English.
About Interflugs: http://www.interflugs.de/en
Looking forward to your participation!
Demand Justice for Takeshi Miyakawa!
via Dezeen magazine:
May 22nd, NYC – Japanese designer Takeshi Miyakawa has been accused of planting false bombs and arrested while installing his work in a New York street during the International Contemporary Furniture Fair. The 50 year-old Brooklyn-based designer was arrested on Saturday after a passerby reported one of his illuminated I Love NY carrier-bags, hanging from trees and lamp-posts around the city, and the NYPD bomb squad were called in to investigate.
The NYPD arrested Miyakawa while a bomb squad verified that the sculptures were non-threatening. The designer and four of his colleagues co-operated with the police, repeatedly explaining that the hanging bags were an art-installation, and not explosives. At an arraignment on Sunday, May 20, 2012 the prosecution recommended that the judge fix bail, while his lawyer, Deborah J Blum, characterized Miyakawa’s arrest as a gross misunderstanding as evidenced by his many accomplishments in the field of design.
The Honorable Martin Murphy decided to hold Miyakawa for a mental evaluation, extending his detainment for an additional 30 days. The 50-year-old designer relocated Tokyo to New York City 23 years ago, working for the renowned New York architect Rafael Vinoly. Miyakawa established his solo design practice, Takeshi Miyakawa Design, in 2001.
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You can help by signing this petition:
On may 19th, 2012, artist and designer Takeshi Miyakawa was arrested in brooklyn while installing ‘I ♥ NY’ lamps in a local park, part of a project designed to celebrate NY design week and the Tokyo-born artist’s love for new york city, where he has lived for the past 23 years. Instead, Miyakawa was charged with the class D felony of reckless endangerment, placing of false bombs, and criminal nuisance. He is currently being detained for thirty days to await mental evaluation. Public safety need be protected, but so must our human rights of life, liberty, and the pursuit of happiness. Miyakawa’s ‘I ♥ NY’ lamps encourage us to rethink our everyday objects, think sustainably, celebrate the place we live and love.
This is what we call art. Instead, the NY justice system calls this terrorism and endangerment, despite Miyakawa’s clean record and international renown as a designer. Sign to help free Takeshi Miyakawa!
Takeshi Miyakawa’s site: http://tmiyakawadesign.com/
‘Free Takeshi Miyakawa’ on facebook: http://www.facebook.com/groups/418544204843603/
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UPDATES via The New York Observer
May 23rd, NYC: Moments ago, Brooklyn Judge William E. Garnett released Brooklyn designer Takeshi Miyakawa. He had been in jail since Saturday night after being arrested for placing light sculptures inside shopping bags and hanging them from trees and lamp posts over the weekend. The installations triggered a bomb scare, which led to Mr. Miyakawa’s incarceration at 2 a.m. Saturday morning.
Instead of releasing the designer on bail set at $250,000 bail Sunday morning, arraigning Judge Martin Murphy remanded him into custody for a mental evaluation that could have lasted as long as 30 days. Mr. Miyikawa’s attorney filed a writ of release Monday morning, which Judge Garnett just granted, allowing him to go free without bail.
Mr. Miyikawa will still face charges on 10 felony and misdemeanor counts relating to the incident, but now he is free to await his trial. The Observer has been tweeting the hearing, which you can find here.
[…]
“I was in shock,” Mr. Miyakawa said of his arrest, “but I was more in shock that people in Williamsburg were locked down for two hours, and I really want to apologize to them.” One reporter asked what Mr. Miyakawa would be doing next, and while he seemed to mean the designer’s next steps in his legal defense, Mr. Miyakawa had more immediate things on his mind. “I just want to take a long bath,” he said, “and have a beer.” […]
Mr. Miyakawa said that the most gratifying part of his ordeal was the overwhelming response it received online, both as a work of art and design and also as a piece of civic pride. It was true even here on Jay Street. While reporters were milling around for an hour and a half outside, awaiting the designer’s release, numerous passersby asked who they were waiting for, and when told, a number of them had indeed heard of the case. “Good for him,” one gentleman said.[…]
He still has to undergo a psychiatric evaluation, a prospect that seemed to puzzle him. “I was totally surprised,” Mr. Miyakawa said of the initial denial of bail at his Sunday morning arraigment. “Do I look like an insane person? I’m quite execentric, but not insane. But then again, you never know what a judge will think.
1st ArtLeaks Working Assembly 2012
ArtLeaks invites you to a public working assembly around the issues that are at the core of the group’s mission – exposing instances of abuse, corruption and exploitation in the art world. This is the official public launch of our platform, which began to operate in September 2011, and will be followed by a series of debates and workshops in the near future. These present a unique opportunity to engage more directly with conditions of cultural work that affect not only artists but creative workers in general: those from the traditionally creative fields as well as those generally involved in cultural production.
Members of ArtLeaks will present on the problematic politics of sponsorship in contemporary culture, the intense exploitation of cultural labor, the marketization of public space dedicated to so-called independent initiatives, the appropriation of culture under the umbrella of disreputable corporation and last but not least, what possibilities we may envision for transversal alliances and activism against cases of abuse and corruption of cultural managers and institutions.
We invite to the discussion all those of you who have experienced abuses of your basic rights to be paid for your work, those who have struggled against subjugation under the dictates of galleries who cater to a wealthy minority, those who regularly take on other jobs to finance projects that may never be realized. Join us in forwarding the conversation from a critique of the status quo to formulating strategies on how to make real changes in the system – changes that would benefit the vast majority of creative workers, allowing them to unleash their full potential to bringing about a better world.
To this end, the evening will be divided between a first part dedicated to interventions by members of ArtLeaks, while in the second we would like to engage the public in a conversation and brainstorm on solutions, models and positions in response to concrete problems, concerns, urgencies.
Currently ArtLeaks is working on formulating a new regular publication entirely dedicated to issues of cultural workers’ rights and related struggles. This journal will be unique in focusing specifically on the challenges we face in the field today, related to wide-spread mistreatment, (self)exploitation and corruption and how these may be over-come through strategies of self-organization, solidarity and collective action. ArtLeaks will launch a call for papers at this public meeting.
ArtLeaks members that will facilitate this working assembly: Corina Apostol, Vlad Morariu, David Riff, Dmitry Vilensky, Raluca Voinea. We will have interventions via Skype from Vladan Jeremic and Société Réaliste.
Berlin, Sunday, June 3rd, 19:00h, Flutgraben
Address:
Am Flutgraben 3
12435 Berlin
+49 30 5321 9658
www.flutgraben.org
Directions to Flutgraben: http://www.kunstfabrik.org/Anfahrt_Kunstfabrik_engl.pdf
Then on Monday, June 4th, 8pm at West Germany in collaboration with Interflugs, ArtLeaks will co-host a workshop in which we would like to focus on specific cases submitted to our platform, and what we may learn from these instances of abuse and exploitation to create an international front of solidarity to struggle for cultural workers’ rights. How can we then challenge ourselves to re-imagine fairer relationships to institutions, organizations, networks and economies involved in the production and consumption of art and culture? In addressing these concerns as a group, we will develop themes that will form the bases of ArtLeaks’ upcoming publication, a journal which will be entirely dedicated to censorship, cultural workers’ rights and formulating strategies and goals of organizing cultural workers.
ArtLeaks members: Corina Apostol, Vlad Morariu, David Riff, Dmitry Vilensky, Raluca Voinea will facilitate the workshop in collaboration with Interflugs and friends. Special thanks to West Germany.
About Interflugs: http://www.interflugs.de/en
The workshop will be held in English.
Date and time: Monday, June 4th, 8pm
Place: West Germany, Skalitzer Str. 133, S-Kottbusser Tor, Berlin
Looking forward to your participation!





